|
about
iscp
a
visual arts residency unlike any other
Like many visual arts residency programs
in New
York, the International Studio & Curatorial Program (ISCP) is a
microcosm of the city’s cultural diversity: multi-national,
multi-lingual and multi-faceted. Unlike
others, however, ISCP makes a concerted effort to connect its artists
and curators to the local art community, while connecting the local art
community with contemporary art practice from all over the world.
|
|
While
New York may well be the world’s epicenter of contemporary
art practice and market, the glut of resources and opportunities, which
attract the art immigrant, are precisely the factors, which can be
alienating and frustrating.
ISCP
is a residency tailored to suit the practical needs of the visiting
artist/curator by providing space in which to produce as well as
addressing the magnitude of the world’s art capital. The
program prides itself on providing an infrastructure, which accelerates
integration and interaction with the host culture and in the course of
its development, has become a catalyst for introduction, presentation,
connection, exposure and dissemination.
The dynamic of ISCP is a programming hybrid conceived to facilitate
genuine exchange, specifically its Guest Critic Series and semi-annual
Open Weekend Exhibitions. The Guest Critic Series enables one-on-one
studio visits for dialogue and critical feedback with distinguished
professionals from the New York and international art worlds. The Open
Weekend Exhibitions attract not only professionals, but a wider
audience of art enthusiasts. In addition, a continual flow of
international art traffic passes through the program, making impromptu
studio visits and meeting with the artists and curators.
As a direct consequence of connections forged at ISCP, many of the over
500+ artists
and curators who have participated in the program since its
founding, are now represented by New York galleries and have been
included in numerous group exhibitions and projects throughout the
United States and abroad.
The raison d’être for an artist is to make art. The
raison d’être for a curator is to communicate art.
The paradigm fostered by ISCP enables these two inter-dependent
professions to cohabit, cross-fertilize and interact, while both groups
at the same time, inject our host culture with the vitality of the
visual language they import to the United States.
|